The Staging of Counter-Worlds

Transcendere_lp_cover_cd_front
Dominik Paß knows electronic music. He grew up with the emerging scene of the German media capital of Cologne in the early 90s and sporadically publishes both electronic music and phonetic poetry under his real name and various pseudonyms such as Liquid Diffusion, Sapere Aude!, and Serve & Destroy. But he does not only produce music, he also studies the theories behind it and shares his insights in his written publications: on abstract electronic music, on phonetic poetry, and on Break- and Speedcore in his doctoral dissertation.

One of his (way too) rare vital signs in the netaudio scene is the not less than brilliant "Transcendere LP" from 2006, which has been released on the excellent German netlabel Dreiton.net. Although Paß explores known territories like Ambient, Minimal Dub, and Dub Techno with it, he finds uncharted spaces in these genres, opens doors for further investigations and thus paves the ground for thinking artists. It's striking that Paß moves between these different approaches to electronic music, dense rustling soundscapes, lugging beat constructions, and minimalistic harmonies with the most impressive ease, without ever losing the focus on the overall coherent sound of the whole album. And while his debut is a didactic play of precise composition techniques, detailed sounddesign, and the integration of all of these aspects into one harmonic picture, it never bothers its listener with a sterile, an all too systematic or even indoctrinating style, but stays soothing and emotionally stimulating at the same time.

Dominik Paß' "Transcendere LP" sums up the essence of electronic music in its purest form: it perfectly reflects the digital environment of its listener's actualities of life while eluding itself from any secularistic methods of comprehension - and therefore lends itself to the "staging of counter-worlds", as Dreiton itself puts it so very tellingly.

Dominik Paß - Transcendere LP | Dominik Paß' biography on Dreiton.net

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